Absent from episode: Glynn Turman as Colonel Bradford Taylor.Guest star: Josephine Premice as Desiree Porter.Īfter Terrell is accused of taping a "digit ho" sign onto Charmaine's back during math class, a mock trial tests the students' attitudes on gender harassment and threatens Terrell's future at Hillman.The underclassmen engage in a stepping challenge, hoping to promote unity. Ron mediates Dwayne and Whitley's conflict over whose belongings will go and whose will stay in their new apartment-and gets his own room downstairs.
Roseanne Barr and then husband Tom Arnold both make uncredited cameos.
Special guest stars: Gilbert Gottfried as LAPD Sergeant, Rondell Sheridan (as South Central L.A.Freddie's summer transformation from a peace-loving hippie into a suit-wearing law school student impresses Ron but shocks Shazza. Tempers flair, anxiety increases, and Dwayne and Whitley are separated as the Los Angeles riots begin around them. Malone ( Terrell Walker), and Jenifer Lewis ( Dean Davenport). First appearances of recurring cast members Bumper Robinson ( Dorian Heywood), Patrick Y. Notes: Jada Pinkett-Smith ( Lena James), Ajai Sanders ( Gina Deveaux), and Karen Malina White ( Charmaine Brown) all become regular cast members.Debbie Allen makes a uncredited cameo appearance cleaning her star on the Hollywood Walk of Fame. Guest stars: Sister Souljah and Gilbert Gottfried. A discussion of the Rodney King police brutality trial leads to the Waynes' recount of their honeymoon in Los Angeles, which coincided with the riots that ensued following the verdict. Summary Episodes Season 6 (1992-1993) Season 6 episodesĮveryone returns to Hillman for the start of the new school year, including newlyweds Dwayne and Whitley. is all suave style as The Man who devils their dreams in the night.Season 6 was the sixth and final season of A Different World, which ran on NBC-TV from Septem– Jand lasted for a total of 25 episodes. Kimberly Jajuan gives a poignant twist to the hopeful Girl who is destined to age into The Woman and then The Lady. The lithe Alisa Gyse-Dickens exudes a Blanche du Bois eloquence as The Woman (a woman who has seen better days), seductively wrapping her body around her dances and voice around her songs. Vickilyn Reynolds, big in talent and body, delights as The Lady, an over-the-hill singer belting out fabulously funny double entendre numbers as she dreams of her comeback. The show, a 1983 Tony Award nominee and seen at Los Angeles Theatre Center in 1990, puts more than two dozen numbers by Bessie Smith, Duke Ellington, Harold Arlen and others into the mouths of four types living the music in a seedy Chicago hotel in the 1930s.
“Blues in the Night,” conceived and directed at the Old Globe by visiting associate artistic director Sheldon Epps, is among the best. Those two concerns combined usually results in singing heads, glitteringly adorned, impeccably and impersonally performing works grouped by composer or genre, where performers smile and bow after the n th number about their broken hearts.īut in the best revues, songs emanate from real people. Revues are also a way to avoid high production costs in harsh economic times. As the end of the millennium approaches, musical revues soar in popularity as a way to remember the best of decades past.
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